Unpublished image records

United States

Original

Cameron Rashti

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Tanzania

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The 1994 ‘Conservation Plan’ identified a number of schemes for Zanzibar’s open spaces in order to ensure their protection, upgrading and rehabilitation. In particular, the work carried out by the Aga Khan Trust for Culture (AKTC) targeted three areas: Kelele Square, Forodhani Park and the Mizingani Seafront. Kelele Square was completed in 1997, following the adaptive reuse of the ex-Telecom Building into the Zanzibar Serena Inn, which defines part of the square. The much larger and ambitious rehabilitation of Forodhani Park, the most visible portion of Zanzibar’s seafront, was completed in 2008–09, while the rest of the seafront, along Mizingani Road, is currently being planned and its rehabilitation is scheduled to begin in 2011. Together, these open areas represent almost seventy-five per cent of the public open spaces along Zanzibar’s seafront and are the most visible and frequented public areas in the Stone Town. Forodhani Park and the Mizingani Seafront form a continuous public open space along the Indian Ocean, stretching from the Orphanage House, at the southern end of the seafront, to the port at the opposite end. The area has the highest concentration of monuments and significant historic buildings in the Stone Town. Prior to its rehabilitation, Forodhani Park was in very poor condition. It had, however, kept its original organization and layout from the time of its creation on the occasion of King George V’s Silver Jubilee in 1935. The design for the rehabilitation of the gardens was aimed at reconciling current uses and needs with the historic significance and traditions of the garden. To that end, its original elements were preserved and restored and some new features added. The aim was to create a contemporary urban space, while enhancing the original features and historic character of the place. Accordingly, the Park’s layout includes new paths lined with benches, linking together the original elements of the garden with a new organization and structure. Today, as in the past, Forodhani Park functions both as an active meeting place and passive promenade. At the same time, it maintains and defines separate areas intended for pedestrian movement, food vending, sports, contemplation and repose. The layout of the Park and proportions of lawn, paving and planting were derived from the main cross-axes defined by the fountain, bandstand and pier, all pertaining to the original configuration of the garden. These simple geometries were reinforced by structured plantings of palms and umbrella shade trees. Detailing was designed in a robust but understated manner, with a formal vocabulary and materials typical of the Stone Town. The paving has an exposed coral aggregate finish, a reminder of weathered surfaces found elsewhere in the historic area, while the park lighting is derived from the original cast-iron lamps manufactured in Glasgow. The baraza seating, modelled after traditional examples, accommodates the need for social interaction and provides the opportunity to simply enjoy the gardens in comfort. The remaining ship cannons scattered about the site were carefully restored and repositioned as a six-gun shore battery. Source: Aga Khan Trust for Culture

Forodhani Park Rehabilitation

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digital graphic

IAA705527

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Afghanistan

IMG12803

The site of the musalla complex -- as it currently exists -- contains six minarets and two domed chambers that are visible from afar. The Mausoleum of Gawhar Shad, with its ribbed cupola, stands in a garden to the south of an irrigation canal that bisects the site. To its east is a single minaret with two balconies; it once flanked the portal of Gawhar Shad's Madrasa. To the south of the mausoleum was a place of worship, a congregational mosque (masjid-i jami or musalla) built by Gawhar Shad, of which only the stump of a minaret remains. The smaller domed mausoleum of Mir Ali Shir Navai (1441-1501) a prominent poet and companion of Timurid Sultan Husain Baiqara (1469-1506) is located to the north of Gawhar Shad's Mausoleum, before the canal. In the plain north of the canal, four minarets are clustered together; these once marked the four corners of a madrasa built by Husain Baiqara between 1469/1470 and 1506. The foundations of the complex were laid by Gawhar Shad, wife of Timurid ruler Shah Rukh (1405-1447) in 1417 outside Herat, establishing the city as the capital of the Timurid Empire and its future northward expansion. It is probable that the madrasa was built first in 1417 and the mosque followed in 1426. Sultan Husain's Madrasa was most likely built around 1493 (898 A.H.). In 1863, the tops of the minarets were destroyed by artillery fire. In 1885, the ruins were razed by Amir 'Abd ar-Rahman (1880-1901), the British-supported Amir of Afghanistan, in an attempt to prevent their use as a base by the Russian army. Only the minarets and the Mausoleum of Gawhar Shad were allowed to remain. Two of the mosque's four minarets were destroyed in an earthquake in 1932, and only one survives today. The Society for the Preservation of Afghanistan's Cultural Heritage (SPACH) completed emergency conservation works on the site in 2001, including building protective walls around the Gawhar Shad Mausoleum and Sultan Husain Madrasa, repairing the remaining minaret of Gawhar Shad's Madrasa, and replanting the mausoleum garden. Mosque, or, Musalla of Gawhar Shad The ruins of the prayer space built by Gawhar Shad -- identified alternatively as a congregational mosque (masjid-i jami) or a musalla -- are located in the southernmost area of the complex. Only the stump of a single minaret remains today, integrated into a modern madrasa at the edge of the musalla site. Its construction may have begun in 1417 at the same time with the madrasa, but its completion was delayed by several years due to an assassination attempt on Sultan Shah Rukh in the Masjid-i Jami of Herat in 1426. According to a marble inscription on one of the minarets, construction of the mosque stopped in 1437/8 (841 A.H.), leaving an unfinished portal, which remained so until the entire building was destroyed in 1885. Another inscription on a minaret identified the architect as Qavam al-Shirazi, who built Gawhar Shad's Mosque in Mashad in 1418-19. Of the four minarets that were allowed to remain, two collapsed in a 1932 earthquake. According to Schroeder's reconstruction, the mosque was rectangular in plan with a double sanctuary and two prayer halls occupying the west side of its almost square courtyard. Entered from a monumental portal facing east, the courtyard had double-story arcades along its north and south side, and an iwan centered on each façade. The main, west-facing iwan was flanked by smaller iwans giving access to the prayer halls. Outside, the mosque measured about one hundred and six by sixty-three meters, with a minaret buttressing each corner. Two more minarets reportedly flanked the main iwan, which have not survived the 1885 destruction. The interior of the portal iwan was faced with glazed lapis tiles and contained an inscription praising its patron, Gawhar Shad. Photographs taken by Oskar Ritter von Niedermayer and Alfred Foucher before the devastating 1932 earthquake show that each of the remaining four minarets had Arabic inscriptions carved in marble panels around their bases, in tile mosaic on two major bands, and on smaller tile panels decorating the lower shaft. Madrasa of Sultan Husain Baiqara and Mausoleum of Mir Ali Shir Navai All that remains of the <a href="https://www.archnet.org/sites/22441" rel="noopener noreferrer" target="_blank">Madrasa of Sultan Husain Baiqara</a> are four minarets north of the Musalla Complex. This madrasa was built in 1492-1493 (898 A.H.) and was reportedly designed in a style similar to the Madrasa of Gawhar Shad, but on a larger scale. The mausoleum of Mir Ali Shir Navai is a small, domed, three-by-three bay cube located near the entrance to the Mausoleum of Gawhar Shad. Its construction date is unknown. Sources: Allen, Terry. A Catalogue of the Toponyms and Monuments of Timurid Herat, 92-3, 113-15, 122-29. Aga Khan Program for Islamic Architecture: Harvard University and the Massachusetts Institute of Technology, 1981. Blair, Sheila S., and Jonathan M. Bloom. The Art and Architecture of Islam: 1250-1800, 45-6. New Haven: Yale University Press, 1995 Byron, Robert. "Timurid Architecture: General Trends." In A Survey of Persian Art: from Prehistoric Times to the Present, III edited by Arthur Upham Pope and Phyllis Ackerman, 1125-1126. Tehran: Soroush Press, 1939. Golombek, Lisa, and Donald Wilber. The Timurid Architecture of Iran and Turan, 305-307. Princeton, NJ: Princeton University Press, 1988. Jawed, Sayed. 2001. "The Rehabilitation of the Musallah Complex in Herat Begins." SPACH Newsletter 7, 13-16. <a href="http://spach.info/documentation/newsletters/issue%207.%20July%202001.pdf" rel="noopener noreferrer" target="_blank">http://spach.info/documentation/newsletters/issue%207.%20July%202001.pdf</a>. [Accessed September 15, 2005; inaccessible October 2, 2013] Knobloch, Edgar. The Architecture and Archaeology of Afghanistan, 134-37. Stroud, Gloucestershire, Charleston, SC: Tempus. 2002. "Musalla Complex". Website of Society for the Preservation of Afghanistan's Cultural Heritage (SPACH). <a href="http://spach.info/ephotosheratmusallacomplex.htm" rel="noopener noreferrer" target="_blank">http://spach.info/ephotosheratmusallacomplex.htm</a>. [Accessed September 23, 2005; inaccessible October 2, 2013]

Masjid-i Jami'-i Gawhar Shad

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IMG12804

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IMG12810

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<h2>ARCHNET FAQ</h2>1. Will ARCHNET work on my device?Archnet works well on the most recent version of any major browser (Chrome, Firefox, Safari, Edge), either on a mobile device or computer. It may work on older or less common browsers as well. If Archnet fails to work properly on your machine, please let us know about your experience by clicking the blue feedback button at bottom right!2. Will my URLs from earlier versions of Archnet still work?Yes, if they are from the version launched in January 2013. As of October 12, 2021, all URLs from the old Archnet have been redirected to ARCHNET.&nbsp;&nbsp;3. How do I download a/n:&nbsp;<ul><li>image - Select the image you want to download from search results, a site or an authority. The image will open in your browser.&nbsp;Right click to download.&nbsp;For larger, high-resolution copies, see contact us using archnet@mit.edu.&nbsp;</li><li>publication - Open the page for the publication in your browser and click the download button. Reprinting Archnet publications is permissible only for personal use.&nbsp;Please contact us for any other requests.&nbsp;</li><li>site descriptions and metadata - Site descriptions and metadata can be used for any nonprofit or educational organization with appropriate attribution to the authors and Archnet.&nbsp;</li><li>video - Currently video downloads are not possible. If you'd like to use an Archnet video, please contact <a href="mailto:archnet@mit.edu" rel="noopener noreferrer" target="_blank">archnet@mit.edu</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</li></ul>See our <a href="https://www.archnet.org/pages/terms" rel="noopener noreferrer" target="_blank">Terms of Use</a> for information on how you can use Archnnet material.4. Can I contribute material to Archnet?&nbsp;Yes!&nbsp;See our <a href="https://www.archnet.org/pages/contribute" rel="noopener noreferrer" target="_blank">Contribute</a> page for more information.&nbsp;Calls for specific contributions are also also shared in our social media and on the <a href="https://libraries.mit.edu/akdc/category/contributors/" rel="noopener noreferrer" target="_blank">web site of the Aga Khan Documentation Center at MIT</a>.&nbsp;&nbsp;5. What happened to the Archnet Timeline?&nbsp;Timeline has migrated into the ARCHNET NEXT Collections page&nbsp;<a href="https://www.archnet.org/collections/collection_type/3/1" rel="noopener noreferrer" target="_blank">as a category</a>. These collections provide short introductions for each period, often offering lists of additional resources at the end of the entry. Only the timeline graphic listing the periods along a chronological axis has not migrated.6. My question isn't here.&nbsp;How can I get help?&nbsp;If your issue is with using Archnet, use the blue Feedback button to alert us to your issue. This will allow you to include a screenshot or recording. Please, also, feel free to contact us at <a href="mailto:archnet@mit.edu" rel="noopener noreferrer" target="_blank">archnet@mit.edu</a>We are currently developing the help section of ARCHNET NEXT. In the meantime, please use the blue Feedback button in ARCHNET NEXT to send us feedback or other questions. Contact us at <a href="mailto:archnet@mit.edu" rel="noopener noreferrer" target="_blank">archnet@mit.edu</a>.&nbsp;

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Welcome to ARCHNET, an open access, interdisciplinary, intellectual resource focused on the built environment of Muslim societies.Focused on the built environment of Islamic civilizations past and present, we seek to:<ul><li>Facilitate excellence in scholarship and professional work by&nbsp;providing reliable information and ready access&nbsp;to vetted, high-quality textual and multimedia resources&nbsp;focused on architecture, urbanism, environmental and landscape design,&nbsp;heritage&nbsp;conservation, economic and environmental sustainability, community development and resilience in the face of rapid change, and related topics.</li><li>Enable teaching and learning in these domains by providing educators with reliable, effective pedagogical material and teaching aids.&nbsp;</li><li>Serve as a platform through which scholars, practitioners, and institutions can bring their work to new global audiences.&nbsp;</li><li>Promote intercultural understanding and dialogue through reliable, high-quality, peer-reviewed material on the diversity of and pluralism within Muslim societies and the interaction between Islamic and other religious, cultural, and philosophical traditions as it relates to architecture and urbanism.</li><li>Enable easy access to a wide variety of resources via a custom-built, web-based, mobile-friendly platform optimized to minimize financial, infrastructural, linguistic, and other barriers to access.&nbsp;&nbsp;</li></ul>Launched in 2002 after several years of development, ARCHNET is a pioneering digital resource that has proven a reliable authority on the built environment of Muslim societies, past and present.&nbsp;ARCHNET is a partnership between the <a href="https://www.archnet.org/collections/1342" rel="noopener noreferrer" target="_blank">Aga Khan Documentation Center, MIT Libraries</a> (AKDC@MIT) and the <a href="https://www.archnet.org/authorities/1903" rel="noopener noreferrer" target="_blank">Aga Khan Trust for Culture</a> (AKTC), with support from the <a href="https://www.archnet.org/collections/50" rel="noopener noreferrer" target="_blank">Aga Khan Program for Islamic Architecture</a> at Harvard and MIT.&nbsp;ARCHNET is developed and maintained by <a href="https://www.performantsoftware.com/" rel="noopener noreferrer" target="_blank">Performant Software Solutions</a>.

Cameron Rashti
United States

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Cameron Rashti

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